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TAPESTRY FLOWERS
Early Masterpiece Shawls of Kashmir |
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This small border fragment has been included here for only one reason - its design is unique and archetypal. However small it may be it still is quite beautiful but more important than miniaturized good looks is the gap it fills in the sequence of border designs. Actually this border design is an earlier version than
Plate Three's. The decision to place them out of chronological order was
done to first clearly establish the progression of border design along
with the respective flowering plant. Additionally the border on The ground color used for both these shawls is feuillemort.
Again, this color rarely appears in shawls after the Classic Period but
this alone would not be enough to assign such an early date. The inclusion
of another realistic flower(fig.18e) in a Classic Period shawl border
is highly unusual. So is the scale of the large leaf(fig.18f)and the delicate
detailing of the What the rest of this shawl looked like is anyone's guess but one thing is certain, it must have been fantastic. Borders were always the least impressive part of a shawl and an example with ones of such complexity can only make us marvel at what this combination of skilled designing and weaving technique could have created for the rest of this shawl. |
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