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This small fragment was also found in the underlining
of Tipu Sultan's Rich War Jacket. Unlike the question of Plate One's original
size and layout this fragment, like Plate Two, was undoubtedly from one
of the decorated end panels of a traditional long wearing shawl. If you
look closely at the top right corner, evidence of the side border still
remains(fig.20).
The background color feuillemort, or dead-leaf as it is
known in English, was often mentioned in the contemporary accounts of
this period as one of the favorites of the Emperor and his Court. There
are, however, few remaining examples and this one of the earliest.
Some writers have opined the practice of using large plants
on shawls originated after illustrated English botanical books, as items
of gift and trade, were introduced into India. While they may have had
some influence on style or design it surely is far from absolute fact.
The Mughal appreciation for flowers, which actually bordered on worship,
pre-dates any contact with the English or their printed books. In fact,
it pre-dates the Mughal conquest of India. Floral decoration in Central
Asia, their original homeland, was a major theme in every artistic media
and this interest was brought with them and not initiated after their
conquest of Northern India.
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